Even though some reply tweeters rush to point out that Time Warner likely does not make money from the sale of ALL Guy Fawkes masks, I think a valid point is made about the need to thoroughly think through the symbols we use.
I love George Takei!
He will always be Sulu to me (sorry John Cho), I appreciate how he leveraged his celebrity by coming out as a gay man in 2005, becoming a strong, vocal LGBT advocate, and I find his Facebook feed consistently entertaining.
That he’s also a Buddhist is news to me, and since I dabble in the teachings of the Buddha, another reason to like him.
LOL! And I thought I was the only one who finds splitting a bill to be a mentally exhausting challenge.
Be sure to click on the link in the tweet and read the entire “article”.
The team of physicists decided to test Dreyfuss’s Pay For What You Ordered Algorithm, which hypothesized that it was possible to determine what each individual owed by defining variables such as the cost of one’s entrée, the total number of beverages one consumed, one’s percentage of the sum ingestion of the component parts of the Firecracker Salmon Rolls and Buffalo Blasts, and “six bucks toward the birthday boy’s meal.”
VERY inspiring story of oldest man to summit Mt. Everest, 80-years old, broken hip two years ago, heart surgery this past January…
…the excuses for becoming a decrepit old fart are running out.
…AND, both posts involve chandeliers made from recycled bicycle parts…
…AND, since Fish & Bicycles LOVES all things bicycle, this was a no-brainer.
The amazing bike part lighting here, titled Ballroom Luminoso, the work of Joe O’Connell and Blessing Hancock, is installed in a highway underpass in San Antonio, Texas, taking street art to a whole other level.
Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.
Anyway, here are some more photos of this amazing work: