Category Archives: Video Fridays

My weekly selection from the vast video internets.

Video Fridays: A “Morning Dew” Extravaganza

morning-dewI often think of myself as a pretty decent pop music historian, because in conversations with music geeks and non-geeks alike I very regularly can reference what others consider to be obscure music factoids.

And yet, paradoxically, I regularly learn something new that takes me totally by surprise.

Yesterday was one such time, thanks to a friend who posted a YouTube clip, not only of a British band from the mid-1960s that I’d never heard of, Episode Six, but of Episode Six covering a song I’d only ever heard before as performed by the Grateful Dead: Morning Dew.

I’d known that the song predated the Grateful Dead, but I never noticed that the song was written by Canadian folksinger Bonnie Dobson, and I certainly had no idea, until I did my research, just how many artists and bands covered the song, nor how wacky a variety of artists and bands it’s been.

As I commented on my friend’s Facebook post, “Any song that can be covered by the Grateful Dead, Jeff Beck, Lulu, and Devo, just to name a few, is one helluva song!” And, perhaps it’s the song’s heavy subject matter that has inspired so many to interpret it.

Per Wikipedia:

The song is a dialogue between the last man and woman left alive following an apocalyptic catastrophe: Dobson has stated that the initial inspiration for “Morning Dew” was the film On the Beach which is focused on the survivors of virtual global annihilation by nuclear holocaust.

Appropriately then, for this week’s Video Fridays installment, I’ve selected a handful of versions of Morning Dew to best capture this wacky variety, starting with the wackiest I could find.

Enjoy, and Happy Weekend, everyone!

(Disclaimer: The first is a fan-made video, and the second is audio-only, as there were no live performance videos available for these two.)

Wacky, because Devo:

The songwriter’s own recording:

Nazareth, because hair and tank tops:

Jeff Beck Group, because soul, funky bass, and general awesomeness:

Lulu, because campy earnestness:

And finally, magical, because, as I wrote two weeks ago, 1977 Grateful Dead:

Video Fridays: The Honeymooners

honeymoonersOne of my fondest memories from growing up in New Jersey was the post-primetime lineup of reruns on Channel 11, WPIX TV from New York City.

It was epic.

Now, I wasn’t always able to watch the whole lineup every night, and I don’t think I’d have had much of a life if I had. I had a very small black & white TV in my bedroom, and despite my best efforts to keep the volume down, to sit dangerously close to the screen, and to cover myself and the TV with a blanket, I was regularly busted by the parental units, forced to shut it down and go to sleep. But, this lineup was the same for many years, and so the episodes kept cycling through, meaning I was able to see a LOT of them numerous times anyway.

There are a number of things that I loved about that lineup of shows, and I could go on and on about it, but it seems redundant, given a piece I found at ClassicFlix.com by Rick Brooks, professing his Love Affair With WPIX, and saying many of the things I would say myself.

Just a sample:

We would look forward to seeing a series not just because it was so good, but because we knew it held up to multiple viewings. Look at The Honeymooners, which ran weeknights continuously for over 30 years on the station. That staying power is staggering, particularly when you consider that, though eventually it added the “Lost Episodes” to the mix, channel 11 was running the same “Classic 39″ episodes from that one legendary season (1955-56). I will say it again: 39 episodes ran continuously for decades, and fans loved them.

It would be impossible for me to pick one of these shows as my favorite, but I’d rather honor one of them at a time with a Video Fridays installment, and since I just shared Rick Brooks’ info on The Honeymooners, let’s start there.

For me, The Honeymooners was very special. It was the only TV show of that vintage that was actually still on the air, as far as I could tell, and it served as a time capsule to a bygone era. From the clothing to the furniture, the vernacular of the day to the acting styles, I found it utterly charming.

The biggest strengths of the show were three of the main actors and the writing.

Jackie Gleason, as bus driver Ralph Kramden, could be an insufferable loudmouth, by today’s standards verbally abusive to his wife, and yet when his hairbrained schemes crashed and burned, as they always did, Gleason somehow, almost magically, induced pathos.

Audrey Meadows, as Ralph’s wife, Alice, unlike other women leads of the time and beyond, didn’t hide her struggles with sexism behind an always cheerful veneer. You could see in her expression a weariness as she went about her domestic duties, and she could go toe-to-toe with Ralph in a way you’d rarely see a wife stand up to her husband on TV.

Art Carney, as friend and upstairs neighbor, Ed Norton, well, let’s just say, with his brilliant physical comedy prowess, specifically his grand, clown-like entrances into the Kramden apartment, there would absolutely be NO Kramer from Seinfeld without Art Carney’s Ed Norton. (Interestingly, nothing I could find online gives credit to Art Carney as a direct inspiration for Kramer, and that REALLY bugs me!)

As for the writing, the episodes are masterpieces, with consistently great story arcs, a wonderful mix of comedy and the aforementioned pathos, and it was one of the most quotable shows ever made. My friends and I could nearly recite entire episodes from memory, the jokes were so good.

Like I said, I could go on and on, and I guess I did!

To wrap up and get on with this week’s video selection, I chose an episode that seemed perfect for the occasion, a TV show about watching TV, containing one of my all-time favorite lines, “Official space helmet on, Captain Video!!!”

Happy Weekend, everyone!

Video Fridays: The Magic of 1977 Grateful Dead

jerryDisclaimer: I recognize that this installment of Video Fridays may only appeal to music geeks like me, or maybe even to just Grateful Dead music geeks like me, but inspiration hit me and this is what I have to share today. That said, if there’s even a sliver of a chance that I can turn someone on to this music that I love so much, then my work here will not be in vain.

There’s an old Jewish saying that I love a lot.

Two Jews, three opinions.

Well, I’m convinced, after many years of debating the relative greatness of the different eras of the Grateful Dead‘s 30-year career, that it would be accurate to paraphrase the Jewish saying by substituting “Deadhead” for “Jew”.

Consider my recent communications with my longtime friend Keith, who has been featured in two prior posts of mine: Post 1, Post 2.

A few days ago, Keith emailed, imploring me to go to Archive.org, a gold mine for Deadheads, and to listen to what some believe is the greatest show the Grateful Dead ever performed, out of their 2,317 total concerts, a show from a year, 1977, believed by many more Deadheads still, to be their best.

This was the legendary May 8, 1977 concert at Cornell University’s Barton Hall in Ithaca, NY.

Having been intimately familiar with this show for many, many years, dating back to when I owned a bootleg of it on cassette tape, now sadly lost, I was more than happy to listen to it again, and doing so led me and Keith to exchange a total of 38 emails and 100+ text messages over the next two days.

During the course of the discussion, I started out agreeing that 1977 was a great year and that the Barton Hall show was great, but I disagreed with Deadheads calling it “the best”, as I was of the opinion that this distinction was not important, and I mentioned that lately I’d been listening to and loving shows from 1974 more than any shows from other periods.

But then, I inevitably became lured into a 1977 immersion, listening to shows at Archive.org and watching shows on YouTube, and while I still don’t think it’s important to label 1977 “the best”, it absolutely was a VERY special year.

There are several factors that made it so, but one of the most striking things, clearly evident in Jerry Garcia’s smile in the lead photo I’ve included here, and as can be seen throughout the video below, as Jerry himself said, “We’re having fun again.”

The band had gone on a touring hiatus after their Fall 1974 tour, they only played four one-off shows in 1975, but they had a bunch of new songs from their 1975 album Blues For Allah, and a bunch more from the album Terrapin Station, which they recorded in the winter of 1976 and would release in July of 1977. All of that studio time had two interesting side effects.

First, it demanded discipline, as studio time is expensive and records are for posterity, leading to consistent cohesion and tightness in their music, and, as a performing musician myself, I can attest that this is up there near the top of the list of the most fun things humans can experience.

Second, after a grueling 1974 tour, with their legendarily massive “Wall of Sound” sound system, a system that demanded they play on large stages, where they tended to spread out from each other like this:

GD-74

…they set out on their 1976 tour with a a greatly reduced amount of sound equipment, and having been in the confining spaces of a recording studio, they set up their gear very close together, and for most of their time onstage for the next few years they’d be huddled together, like this:

Grateful Dead live

…paying really close attention to each other and playing off each other, often, as mentioned, smiling from the pure joy of it.

Time moves on, and due to a combination of the occasional internal strife that all bands struggle with, as well as having reached a level of maturity, musically, that no longer required them to play in such close proximity to each other, they gradually spread out on stage again, and from around 1980 onward, with the exception of the acoustic sets they did in the ’80s, they mostly looked like this:

GD-90

So, yeah, 1977 was special, magical even, if you believe in music magic, as I most decidedly do, and thanks to the Music Vault YouTube channel, another gold mine for Deadheads, we’re lucky to have access to a number of videos from 1976 and 1977, including the following treasure from the Spring ’77 tour, a full hour and 45 minutes from their April 26th show at the Capitol Theatre in Passaic, New Jersey.

Again, just watch Jerry to see how much fun he’s having! That fun comes through the music in a glorious, glorious way.

Enjoy, and Happy Weekend, everyone!

Video Fridays: Hanukkah Edition

Well, I’m barely keeping my head above the water right now, what with my interfaith family and I simultaneously partaking of both Hanukkah and Christmastime.

So, for today’s Video Fridays installment, I only really have time to post a video and run.

Without further ado, here it is, the best.Hanukkah.video.ever!

WARNING: The following contains profanity. Please DO NOT watch if you are easily offended.

Happy Hanukkah and Happy Weekend, everyone!

Video Fridays: Barbershop Sexual Healing

ragtime-galsTo paraphrase the oft-quoted Most Interesting Man In The World, I don’t always watch TV (no cable and no antenna), but when I see clips on the interwebs, many of my favorites come from Jimmy Fallon, previously from his stint on Late Night, and now on The Tonight Show.

And as I tried to select this week’s Video Fridays, given I’ve been in a bit of a funk this past week, I wanted something light and funny, and the following clip delivers heaping portions of light and funny.

Fallon hilariously calls the barbershop quartet that appears in this recurring bit The Ragtime Gals, and I love these bits for several reasons. First, there’s the contrast of the early 1900s, painfully white genre mixing with contemporary, decidedly non-white songs. Second, barbershop singing is NOT easy, and yet these are done very, very well.

The Ragtime Gals have been joined by guests in the past, notably Justin Timberlake and Kevin Spacey, and this past week Steve Carell is featured in this awesome version of the Marvin Gaye classic Sexual Healing

Enjoy, and Happy Weekend!

Video Fridays: R.I.P. Ian McLagan

ian-mclaganREALLY tough week for rock & roll.

The day after we lost unsung legend Bobby Keys, which I wrote about on Tuesday, the sad news came that another unsung legend, Ian ‘Mac’ McLagan, had passed.

It’s uncanny that these two amazing musicians should leave us at the same time, given their similar career arcs. Both Bobby and Mac played supporting roles for many, many rock & roll greats, a veritable Who’s Who, I listed Bobby’s credits on Tuesday, and Mac’s are just as impressive, including a shared longtime collaboration with The Rolling Stones: Small Faces, Faces, Rod Stewart, Ronnie Wood, Mick Taylor, Pete Townshend, Chuck Berry, Jackson Browne, Joe Cocker, Bob Dylan, Melissa Etheridge, Bonnie Raitt, Paul Westerberg, John Mayer, Bruce Springsteen, Billy Bragg, Lucinda Williams, etc.

Of all his work, however, I’m deeply partial to Faces, whose classic lineup included Mac, Rod Stewart, Ronnie Lane, Ron Wood, and Kenny Jones. They only produced four albums, from 1969 to 1973, but in that brief time, before Rod Stewart became a cheesy pop star, their music was soulful, gritty, raw, and powerful.

Lucky for us, there are 40 minutes of live Faces goodness available on YouTube, and I present it here in honor of Ian McLagan, featuring, at about the 29:20 mark, Mac’s amazing Wurlitzer electric piano work on the classic Stay With Me.

Thanks for all of the wonderful music, Mac! You’ll be missed!

Video Fridays: The Sapphires

The_Sapphires-posterIt’s been several weeks since I saw the wonderful film, The Sapphires, at Bellingham’s own art house emporium The Pickford Film Center, and I just can’t stop thinking about it.

I went into the experience with few expectations. The brief description I’d read gave me the impression that it would be a fairly lightweight, feel-good, possibly a little silly movie. BUT, man, take four Australian aboriginal gals with amazing voices, introduce them to a washed-up white soul musician played by Irish comedic actor Chris O’Dowd, and then take the show to Vietnam in 1968 to entertain American troops and you’ve got one dynamic, fantastic film!

As I’ve mentioned several times before (Just two examples: Post 1, Post 2), I LOVE Soul music. It has become my go-to genre when I’m burned out on nearly every other type of music, I eventually get fatigued by everything else but I can always come back to Soul music.

So, it’s Video Fridays, and thanks to The Sapphires, I’ve got some wonderful Soul music to share, first a clip from the film, with the gals doing the 1968 Linda Lyndell tune What A Man, then a sampling of the soundtrack in the trailer.

Seriously, see this movie if you can, whether in the theatre or at home. It’s a gas!

Enjoy, and Happy Weekend, everyone!