Apropos the topic of my earlier post today, I thought I’d usher in the weekend with a space-themed Video Fridays installment.
Enjoy, and happy weekend, everyone!
Apropos the topic of my earlier post today, I thought I’d usher in the weekend with a space-themed Video Fridays installment.
Enjoy, and happy weekend, everyone!
I’ve been listening to a LOT of Bob Dylan lately, and in today’s Video Fridays installment I’d like to feature one of the greatest Dylan covers of all time.
This version of the classic Like A Rolling Stone, performed by Jimi Hendrix at the Monterey Pop Festival in 1967, is remarkable in a number of ways.
Hendrix, as he’s introducing the song, tongue firmly in cheek says, “I’d like to bore you a little bit for about six or seven minutes…” I don’t have any evidence for this, but I think there’s a good chance that he might be referring to the fact that there are so many words in the song. Some Dylan detractors thought his wordiness bordered on tedium, and let’s face it, most people at Monterey were there to hear Hendrix’s virtuoso guitar playing.
Jimi, himself, seems a little conflicted. He can’t even make it through the introduction, and unexpectedly says, “Excuse me for a minute and just let me play my guitar, alright?” It’s a funny moment, but it’s also a moment of complete abandon to the music. He literally has to stop talking because the guitar is begging him to play it.
Then he steps on the breaks long enough to finish the intro, before launching into an unbelievable, commanding performance, his lush, layered guitar licks mixing resonating chords and melodic fills that drip with honey, honey so sweet that you don’t even notice that he uncharacteristically does not do any extended soloing.
Anyway, enough words.
Happy Friday, everyone! Enjoy!
On Wednesday, I wrote about how much I love a new retro Soul Rock band called Alabama Shakes.
Then, this morning, a friend of mine sent me a clip of a performance by someone whose music isn’t ostensibly thought of as Soul music, and yet he was one of the many great British artists of the 1960s and 1970s who, inspired by American Soul music, infused their own music with the kind of deep feeling and passionate vocal delivery that had been largely missing in pop music up to that point.
While Elton John suffered a long, slow decline into mediocrity starting around 1974, his catalog prior to that decline is some of the most beautiful, deeply felt, funky, and oh so soulful music ever.
With a simple trio — Elton on piano and vocals of course, Dee Murray on bass, Nigel Olsson on drums — and lyrics from fellow Brit and songwriting partner Bernie Taupin, there’s a series of performances from 1970 and 1971 BBC broadcasts on YouTube that are nothing short of spectacular. It’s just incredible how lush and powerful the music is with such a small ensemble. But John, seemingly with little effort, coaxes so much sound out of the massive grand piano that dwarfs him, Murray’s melodic bass lines hold down the bottom end, Olsson’s drums, loaded with subtle syncopation, hold down the rhythm, and their occasional three-part harmonies bring it all together.
Since I couldn’t pick just one, here are some of my favorites, with the last one featuring a 1972 addition to the band, guitarist Davey Johnstone on mandolin.
Happy Friday, everyone!
Wow. I just saw the following video over at KEXP.org, of a band new to me, The Barr Brothers, and it just totally captivated me.
The song, Cloud, musically, is aptly named, for like a cloud of smoke it seems delicate enough that if you blew on it it would disperse and fade away. I love the instrumentation – piano, harp, oh so tasty and twangy Guild Starfire guitar, drums — though I have no idea what the drummer is doing at the beginning, playing what looks like a small xylophone with a violin bow.
Now, having checked out their full performance at SXSW, I see that the xylophone and the bow are just the tip of the iceberg of instrument unusualness. From instruments that I can’t identify, to bicycle wheels, to fishing line pulled across guitar strings, The Barr Brothers are doing some incredibly quirky, yet undeniably effective things.
I look forward to spending more time with their music, and I hope you enjoy it too.
Here’s Cloud:
And, since bicycles figure prominently here at Fish & Bicycles:
Today’s Video Fridays installment could easily be a Tweet of the Day installment as well.
Chris Anderson, the TED curator, tweeted a wonderful and badly-needed video produced by African NGO Mama Hope.
Here’s a little something about Mama Hope:
Vision:
At Mama Hope we believe that there are enough resources in the world for every human being to live healthy, happy lives. We envision a world where resources are correctly shared across the globe to provide the tools communities need to thrive.Through our projects Mama Hope has unlocked the potential of over 76,000 people in Kenya, Tanzania, Ghana and Uganda…and we are just getting started.
Mission:
Mama Hope works in close partnership with local African organizations to connect them with the resources required to transform their own communities.All our projects are managed for and by partner communities themselves to ensure sustainability. So far, we have achieved our mission by funding the completion of schools, health clinics, children’s centers, clean water systems and food security projects.
The video is particularly noteworthy for how it takes a deadly serious subject and injects humor without diluting the message.
Shame on Hollywood for participating in the perpetuation of negative stereotypes of African men, and thank you to Mama Hope for reminding us all that there are realities beyond the movie screen.
4 Kenyan guys blow up a few stereotypes. Excellent! RT: @casinclair ..nice juxtaposition to Kony video youtu.be/qSElmEmEjb4—
Chris Anderson (@TEDchris) April 27, 2012
As a lifer English major, when I came across the following, via Gizmodo, I couldn’t not select it for this week’s Video Fridays installment.
Cuz, you see, the irony does not escape me that I actually earned a degree in English from Rutgers University without ever having been required to take a class in the history of the English language, linguistics, or even English grammar. As a result, I had to grind my way through Shakespeare (my concentration) and Chaucer more heavily dependent on footnotes than I ever should have been.
Anyway, for years I felt a little illegitimate when declaring that I have a degree in English, and this was heightened when my family and I started hosting Japanese exchange students some years ago. There I was, a native speaker of my language, with a Bachelor of Arts in English, and yet I wasn’t much use when these students started asking me for help with their English as a Second Language homework.
A couple of years ago, however, I started taking classes in the Teaching English to Speakers of other Languages program, and the first class, which very nearly killed me, was linguistics. Friedrich Nietzsche was right when he said that that which does not kill us makes us stronger, and ever since I’ve felt that my English degree cred was finally more legitimate.
Still, I never knew, though I always wondered about, the history of the Old English term ye, and I found this clip highly entertaining. I loved the subtle, humorous placement of “porn” and the bit about the French using way more letters in their language than they need to really cracked me up, as my wife and I have a running joke that reading French is easy, because all you need to do is not pronounce the last 2-3 letters of every word.
Enjoy, and have a great weekend, everyone!