Tag Archives: comedy

Tweet of the Day: @pattonoswalt

Even though some reply tweeters rush to point out that Time Warner likely does not make money from the sale of ALL Guy Fawkes masks, I think a valid point is made about the need to thoroughly think through the symbols we use.

Video Fridays: M*A*S*H

radar-capSeveral years ago, one of my student employees came to work wearing a cap, like the one you see in the photo here, and the following Abbott & Costello-esque interaction occurred:

Me: Nice cap, Nick! Very Radar O’Reilly!

Nick: Thanks, but what?

Me: Very Radar O’Reilly!

Nick: What’s that?

Me: Not ‘what’ … ‘who’! Radar!!!

Nick: What?!

Me: Radar O’Reilly! From M*A*S*H!

Nick: Oh. I’ve seen commercials for M*A*S*H reruns, but I’ve never watched it.

This made me feel very old.

Anyway…for this week’s Video Fridays installment, I continue my series of posts, reminiscing about a late night lineup of TV reruns that I was fond of in my youth.

…and, after having covered The Honeymooners and The Odd Couple in previous posts, let’s move on to M*A*S*H.

MASH-movieAs mentioned last week, The Odd Couple was based on a play and movie of the same name, and M*A*S*H was similarly based on prior works: the novel by Richard Hooker and the film by Robert Altman.

Another similarity, because I didn’t see either movie before I’d already seen many, many episodes of the TV shows, when I think of M*A*S*H, I will always think first of Alan Alda as Hawkeye Pierce, Wayne Rogers as Trapper John McIntyre, McLean Stevenson as Henry Blake, Larry Linville as Frank Burns, and Loretta Swift as Margaret “Hot Lips” Houlihan from the TV show, despite great performances by Donald Sutherland, Elliott Gould, Roger Bowen, Robert Duvall, and Sally Kellerman from the movie, in those same roles respectively.

I love the Altman film and always will, but to debate the relative greatness of the movie and the TV show doesn’t seem appealing, given they’re so apples:oranges. Whereas the film is an experimental, absurdist, anti-war satire, the TV show, though also anti-war, was a 1/2-hour sitcom that employed writing and directing more rooted in the television tradition, an element that became more and more pronounced, and some, including myself, would say for the worse, starting about halfway through its 11-season run.

Continuing on that last point, I’ll be honest and say that of all of the shows from that late night lineup I was so fond of, M*A*S*H was the only show that declined so much in quality over the years that I have an extreme prejudice, preferring the first three seasons SO much more than the subsequent eight that I don’t have much of a desire now to re-watch anything but the first three seasons. Those early seasons retained MUCH more of the qualities of the movie that I like so much, but it all ended with a jarring loss of two of my favorite characters.

In the last episode of season three, we learn that Henry Blake has been honorably discharged and he prepares to head home. But, instead of this being the setup for just another U.S. Army screw-up, where in the end Henry would be told that, for some reason, he has to stay, he says his goodbyes, and the episode ends with news that his plane was shot down and he was killed.

And the first episode of season four begins with Hawkeye returning from a week of R&R, only to find that Trapper had been discharged and had left for home.

Henry Blake was replaced by Harry Morgan’s Col. Sherman T. Potter, Trapper by Mike Farrell’s B.J. Honeycutt, Frank Burns left at the end of season five and was replaced by David Ogden Stiers’ Charles Emerson Winchester III, Gary Burghoff’s Radar O’Reilly left near the beginning of the eighth season, and the change that many fans felt was the last straw, when Jamie Farr’s Corporal Klinger, upon taking over for Radar as Company Clerk, stopped dressing in drag, I’d argue, marked the loss of the last remaining element in the show that had any relation to the absurdism of the show’s roots, specifically the Altman film.

I hate to end on such a downer note, so let’s get to this week’s Video Fridays videos. Since I’ve extolled here the virtues of the earliest seasons of M*A*S*H for their closer resemblance to the film they were inspired by, I bring you a great, wacky episode from season one, and for kicks the trailer from the movie.

So, enjoy! Happy Weekend, everyone!

(Disclaimer: For some annoying reason, possibly to avoid draconian copyright enforcement, the episode is sped up, and so it sounds like it was filmed with the entire cast inhaling helium.)

Video Fridays: The Odd Couple

odd_coupleTwo weeks ago, as a Video Fridays installment, I took a nostalgic trip down Memory Lane, writing about a late night lineup of TV reruns that I was fond of in my youth.

In writing that post, I decided to do a separate Video Fridays installment for each of these shows, and I chose The Honeymooners to start off with.

This week, it’s The Odd Couple, and what a fantastic show it was!

That it was based on Neil Simon‘s play and movie of the same name highlights common ground between two of the other shows from the lineup. M*A*S*H was based on the novel by Richard Hooker and the film by Robert Altman of the same name, and Star Trek, created for TV, went the opposite direction, spawning numerous movies and spin-off TV series.

There were SO many things about The Odd Couple that I loved: the basic premise of two mismatched divorced men living together, one an anal-retentive neat freak and the other a manchild slob; the wonderful New York City humor; the groovy 70s clothing and decor; the goofy supporting characters; and consistently great writing over five seasons.

And yet, similar to The Honeymooners, the best things about the show were it’s primary actors, Tony Randall as Felix Unger, and Jack Klugman as Oscar Madison. To fully appreciate these two, consider the monumentally big shoes they had to fill. Neil Simon’s play opened on Broadway with Walter Matthau as Oscar and Art Carney (who, as mentioned two weeks ago, played Ed Norton in The Honeymooners) as Felix, and in the movie Matthau again played Oscar, while Jack Lemmon played Felix.

I never saw the original Broadway show — I was just shy of 3-years old when it closed — and I didn’t see the movie until I had already been watching the TV show for years. So, for me, Jack and Tony are the Oscar and Felix I always think of first, which really is a testament to how well they took over these roles, established as they had already been by other great, great actors.

Of course, the heart of the show is the clash of opposites in the pressure cooker situation of having to share an apartment. And so, as I tried to pick just one episode to include here, I searched for one that really highlighted their domicile. But, this search paralyzed me with indecision, as there are SO many greats to choose from.

Finally, thanks to my longtime buddies from New Jersey, Mike and Keith, mentioned numerous times here at Fish & Bicycles (one case in point), our collective effort yielded the perfect choice!

So, here’s episode 69, the 22nd episode of the 3rd season, it’s titled Take My Furniture, Please, and it revolves around Felix’s efforts to redecorate their apartment, despite Oscar’s protestations, and while Oscar tries to work on a book he’s writing. Naturally, hilarity ensues.

Enjoy, and Happy Weekend, everyone!

Headline of the Day: Fun With Airtravel

From the name of the band that this guy is a member of, to the vivid image of his behavior in the airport, this headline is like a scene from This Is Spinal Tap.

Puddle of Mudd Singer Arrested for Riding Baggage Carousel

Rolling Stone

That he was bailed out by a fan is the icing on the comedy cake. LOL!

Video Fridays: The Honeymooners

honeymoonersOne of my fondest memories from growing up in New Jersey was the post-primetime lineup of reruns on Channel 11, WPIX TV from New York City.

It was epic.

Now, I wasn’t always able to watch the whole lineup every night, and I don’t think I’d have had much of a life if I had. I had a very small black & white TV in my bedroom, and despite my best efforts to keep the volume down, to sit dangerously close to the screen, and to cover myself and the TV with a blanket, I was regularly busted by the parental units, forced to shut it down and go to sleep. But, this lineup was the same for many years, and so the episodes kept cycling through, meaning I was able to see a LOT of them numerous times anyway.

There are a number of things that I loved about that lineup of shows, and I could go on and on about it, but it seems redundant, given a piece I found at ClassicFlix.com by Rick Brooks, professing his Love Affair With WPIX, and saying many of the things I would say myself.

Just a sample:

We would look forward to seeing a series not just because it was so good, but because we knew it held up to multiple viewings. Look at The Honeymooners, which ran weeknights continuously for over 30 years on the station. That staying power is staggering, particularly when you consider that, though eventually it added the “Lost Episodes” to the mix, channel 11 was running the same “Classic 39″ episodes from that one legendary season (1955-56). I will say it again: 39 episodes ran continuously for decades, and fans loved them.

It would be impossible for me to pick one of these shows as my favorite, but I’d rather honor one of them at a time with a Video Fridays installment, and since I just shared Rick Brooks’ info on The Honeymooners, let’s start there.

For me, The Honeymooners was very special. It was the only TV show of that vintage that was actually still on the air, as far as I could tell, and it served as a time capsule to a bygone era. From the clothing to the furniture, the vernacular of the day to the acting styles, I found it utterly charming.

The biggest strengths of the show were three of the main actors and the writing.

Jackie Gleason, as bus driver Ralph Kramden, could be an insufferable loudmouth, by today’s standards verbally abusive to his wife, and yet when his hairbrained schemes crashed and burned, as they always did, Gleason somehow, almost magically, induced pathos.

Audrey Meadows, as Ralph’s wife, Alice, unlike other women leads of the time and beyond, didn’t hide her struggles with sexism behind an always cheerful veneer. You could see in her expression a weariness as she went about her domestic duties, and she could go toe-to-toe with Ralph in a way you’d rarely see a wife stand up to her husband on TV.

Art Carney, as friend and upstairs neighbor, Ed Norton, well, let’s just say, with his brilliant physical comedy prowess, specifically his grand, clown-like entrances into the Kramden apartment, there would absolutely be NO Kramer from Seinfeld without Art Carney’s Ed Norton. (Interestingly, nothing I could find online gives credit to Art Carney as a direct inspiration for Kramer, and that REALLY bugs me!)

As for the writing, the episodes are masterpieces, with consistently great story arcs, a wonderful mix of comedy and the aforementioned pathos, and it was one of the most quotable shows ever made. My friends and I could nearly recite entire episodes from memory, the jokes were so good.

Like I said, I could go on and on, and I guess I did!

To wrap up and get on with this week’s video selection, I chose an episode that seemed perfect for the occasion, a TV show about watching TV, containing one of my all-time favorite lines, “Official space helmet on, Captain Video!!!”

Happy Weekend, everyone!

Science Fiction, or Too Much Time On Hand?

uss-enterpriseOne of my first posts here at Fish & Bicycles was titled Science, or Too Much Time On Hand?.

I’d read a post by a blogger at Wired.com on the science of peeling eggs.

Yes, you read that right, the science of peeling eggs, which prompted me to question whether this was science or simply the product of someone with WAY too much time on their hands.

I was reminded of that 5-year old post today when I came across a post at io9.com, with this title and opening paragraph:

Top 10 Biggest Design Flaws In The U.S.S. Enterprise

Star Trek broke new ground by having a spaceship without fins and rockets, and by consulting with the RAND Corp. on its design. And the Enterprise is indeed a beauty. But the Federation’s coolest starship isn’t flawless, by any means. Here are the 10 biggest design flaws in the U.S.S. Enterprise.

Now, I love Star Trek. I really do, and I’m no stranger to becoming enamored of something enough, most often, in my case, music, to get lost for periods of time in obsession, and so I’m really just gently poking fun here.

It just struck me as funny to come across this io9.com post — written nearly 50 years after the original Star Trek TV show was on the air — evaluating the design of a fictional spaceship, and it made me wonder whether this was evidence of the enduring power of science fiction or simply the product of someone with too much time on their hands.

Then again, to paraphrase what I admitted five years ago: Here I am spending (wasting?) time blogging about a blogger who blogged about a 50-year old design of a fictional spaceship.

It’s an embarrassing paradox.