I don’t love all prog rock, and I don’t even love all Yes music, but the Yes music that I do love has stuck with me for nearly 40 years, via powerful memories of songs like Yours Is No Disgrace, Starship Trooper, I’ve Seen All Good People, Roundabout, Long Distance Runaround, Close To The Edge, and And You And I getting regular airplay in the 1970s, and then, once I bought the albums, regular airplay at home, where I was entranced by what sounded like Classical music being played with Rock&Roll instruments and Rock&Roll sensibilities.
As The New York Times‘ Peter Catapano declared in his wonderful eulogy, of all the members in the band, Chris Squier Made Prog Rock Rock:
Squire, who was well known for being the band wild man, was a virtuoso of sorts who also poured a Stones-like street fighting spirit into Yes’s ethereal music, and saved many a song from descending into Hobbit-land (being human, he wasn’t always successful). Out of the mist of organ tones and castrati vocals would come a growl, disconcerting, oh-so-low, almost too low to be music, a primordial beast raising itself from the mud with a giant yawn. It was impolite, indelicate, wrong, and soon to be funky.
Indeed. Like I said. A monster bass player.
It took me no time to decide what song I would feature in this Video Fridays installment, as a testament to Chris Squier’s artistry and bad ass-ry, the first song I always think of when I think of him, Heart Of The Sunrise from the 1971 Yes album Fragile.
The song kicks off with a quintessentially wicked-fast Squire bass line, which it comes back to several times, the intro moves into a lush, slower, synth-drenched segment with seriously funky Squier bass, and there’s just wonderful bass throughout the whole song.
R.I.P., Chris, and thank you SO much for all of the wonderful music you left behind.