But delve just beneath surface and you find two prolific songwriters acclaimed for their lyrics as much as their music, two songwriters who had long-lasting and wide-ranging influence on other musicians, the latter resulting in their songs having been performed by an astonishing list of their peers.
Just two examples:
Leonard’s Hallelujah: Bob Dylan, John Cale, Jeff Buckley, Rufus Wainwright, k.d. lang, Brandi Carlile, Regina Spektor, Willie Nelson, Susan Boyle, Bono
Leon’s A Song For You: Billy Eckstine, The Carpenters, Ray Charles, Peggy Lee, Willie Nelson, Helen Reddy, Whitney Houston, Elkie Brooks, Amy Winehouse, Donny Hathaway, Christina Aguilera
Additionally, both Leonard and Leon went through fairly dramatic transformations over the course of their careers:
Leon, from one of the originators of the Tulsa Sound; to a member of the legendary group of Los Angeles session musicians collectively known as the Wrecking Crew, who recorded pop hits by artists ranging from Frank Sinatra and Sonny & Cher to The Monkeys and The Beach Boys; to hippie soul man bandleader, piano and guitar player on Joe Cocker’s epic Mad Dogs & Englishman tour, the album from which I happen to consider the best Rock & Roll live recording ever, and my deep love of which I mention in the obit I wrote upon Joe Cocker’s passing.
Leonard, from published poet and novelist; to folk music singer-songwriter; to elegant elder statesman of sophisticated literary pop music; to Zen monk.
But, of all the things they had in common, my absolute favorite was Leonard’s song Bird on the Wire, the greatest version of which, in my opinion and no surprise given what I said above, comes from Mad Dogs & Englishmen, on which you can hear Leon’s gorgeous, dare I say Liberace-esque, piano playing.
So, thanks Leonard and Leon for all you shared with the world. May all drunks in midnight choirs rejoice in your work!